"Despite often being considered as something of a hack director, Winner does an admirable job of effectively building tension through scenery. As the story progresses, and the focus changes to the apartment building, Winner makes good use of ornate Gothic ornamentation and shadowy corridors to create dread."
"Apostle is the honest sort of folk horror film. It understands that folk horror taps into the insecurities of the modern world and seeks comfort in the barbarism and ancient traditions of more brutal times and societies. There's no need for it to offer the carrot of paganism, only the stick."
Shitting over Romero's legacy to sell a bad film.
Forget the film, this poster is where it's at.
"If you have ever seen an Umberto Lenzi film before, then you know what to expect. The director cut his teeth making giallo films in the 70’s, as well as cannibal films such as Man From the Deep River and Cannibal Ferox.
Unsurprising, then, that this paper-thin plot is used as a vehicle for eye-gouging, throat-slitting, breast-tearing, head-popping."
"Romero is satirising a decade that ushered in 'me,me,me' politics. In Night and Dawn, there remained the faith that humanity will always (eventually) pull together. Day doesn't have that optimism: the humans are worn down and feel put out by the needs of their fellow survivors when they're thinking only of themselves. "
"Part of Green Room's humour comes from it being set in the woefully underwhelming world of the local band.
If you’ve been in a band or know people who have, then the early scenes of the band travelling miles in a cramped van to play to a venue of 5 unenthusiastic people, only to be paid $6 dollars each for their trouble, will hit home. "
"Part of Halloween III’s appeal is how it's essentially a smorgasbord of everything that was great about horror from that era.
The whole affair has an incredibly seedy vibe, and, as mentioned previously, reminds me of a time when I would sneakily stay up till 2am - on a school night no less - to watch the films I would never normally be allowed to watch. "
"Gordon carries the film at a deliberate pace, piling on the unsettling imagery straight-away, from the shadowy façade over the gloomy town to the grey-faced inhabitants with bags under their eyes and webbed hands....this isn't somewhere that's going to throw out the welcome mat, or at least one that's not made of human skin. "