"Director Jeffrey A. Brown's The Beach House draws more than a little inspiration from H.P. Lovecraft's The Colour Out of Space, and gives it an ecological spin. At least this one doesn't have Nicholas Cage's overacting."
"I'm not usually a fan of 'Found Footage' movies....a poorly focused hand-held camera does nothing to enhance plausibility. It just pisses people off."
"Gordon carries the film at a deliberate pace, piling on the unsettling imagery straight-away, from the shadowy façade over the gloomy town to the grey-faced inhabitants with bags under their eyes and webbed hands....this isn't somewhere that's going to throw out the welcome mat, or at least one that's not made of human skin. "
"Berserk is an exploration of worth in a world which values only martial force. Guts is an artist with the blade, butchering his way through entire armies.
In this brutal setting, killing's all that defines him. And yet he yearns for more; for some kind of goal in life."
"What's unusual about a genre fair such Annihilation, is that the characters are intelligent, pragmatic individuals.
They're reminiscent of the sort of grounded, logical protagonists you'd find in a H.G.Wells novel; as opposed to the reactionary morons endemic in modern sci-fi who make every basic survival mistake and handle alien lifeforms with no precautions."
"The idea of Antarctica defending itself is almost reflected in the creature itself. Each set piece with the creature is designed to show the Thing as this impossible, living organism desperately trying to survive.
Rob Bottin and his team clearly had a ball designing the monster's various forms."
"Playing out like a hybrid of Prince of Darkness and Assault on Precinct 13, The Void features a single location and large pool of expendable characters taken out one by one. Feckless idiots getting picked off by nasties is, in a nutshell, The Void's plot.
But as it's ultimately more of a pure eighties horror beast than the marketing initially suggested, there's a lot of metaphysical elements thrown in."